• Skip to main content
  • Skip to secondary menu
  • Skip to footer

Travel Marketing

Travel and Tourism Trends

  • Travel Event Calendar
  • Sponsored Post
  • About
    • Redrawing the Map of Travel Marketing
    • How We Work with Tourism Ministries to Promote Travel Destinations
    • Why Travel Agencies Should Partner with TravelMktg.com – Let’s Promote Destinations Together
  • Contact

The arrival of “Taiwan Plus” in Osaka marks a powerful moment in the ongoing cultural exchange between Taiwan and Japan

September 24, 2025 By admin Leave a Comment

Organized by the Taiwan General Association of Chinese Culture (GACC) and supported by the Ministry of Culture’s “We TAIWAN” cultural program for Expo 2025 Osaka, the festival brought a vivid sense of Taiwan’s creativity and diversity to Japanese audiences. The event transformed the city into a meeting ground of traditions, innovations, and shared experiences, offering an intimate immersion into Taiwanese culture. What set this year apart was not just its scale—over 100 brands participating, the largest lineup yet—but the way it blended sustainability, design, and daily life into a vibrant showcase of modern Taiwan.

GACC Secretary-General Lee Hou-ching emphasized the role of the festival as a bridge, presenting Taiwan not as a distant concept but as a lived and relatable culture. The debut of 20 Taiwanese brands in Japan, combined with exhibitors practicing environmentally conscious design, highlighted both Taiwan’s innovative edge and its sense of responsibility. In doing so, “Taiwan Plus” managed to resonate with Japanese visitors on multiple levels—appealing to taste, craftsmanship, aesthetics, and values.

Deputy Minister of Culture Sue Wang underlined that the event was not simply about cultural export but about cultural integration. Beyond film screenings or literature readings, the Osaka edition brought food, handicrafts, and creative design into the everyday rhythms of Japanese life, giving visitors the feeling of experiencing Taiwan in their own city. This immersive dimension was reflected in the overwhelming response—over 100,000 people attending in just four days—turning the market into what many now call “the Taiwan Pavilion beyond the Expo.”

Having begun in Tokyo in 2018 and expanded to Kyoto last year, “Taiwan Plus” has now firmly established itself as a yearly event that evolves with each edition. Its Osaka debut proved that Taiwan’s cultural voice has a growing audience in Japan, one that is eager for both the familiar and the new. With Expo 2025 Osaka on the horizon, the festival stands not only as a warmup but as a signpost of Taiwan’s broader cultural presence in Japan, promising even deeper engagement in the years to come.

Filed Under: News

Reader Interactions

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Footer

Recent Posts

  • World Travel Market (WTM) London 2025, November 4–6, London
  • Pig Island, Koh Madsum, Thailand
  • Where Three Islands Meet the Sea: Koh Nang Yuan, Gulf of Thailand
  • Vienna Getting Ready for the Rain
  • Rain Season at Koh Samui
  • Roof Samui, Koh Samui, Thailand
  • Koh Samui Nights – Neon Heat, Sea Fire, and the Rhythm of Escape
  • Flavors of Koh Samui – A Tropical Feast on a Plate
  • Koh Samui, Thailand – Where the Sky Meets the Sea in Shades of Dream
  • Prague Is a City of Love

Media Partners

Exploring Another Set of Powerful Domains
Top Domains That Tell a Story About Markets, Tech, and Media
The State of Creator Marketing in 2025
Nikos Bartzoulianos on Reimagining Electrolux
T-Mobile’s Conectados Report: How U.S. Latinos Are Shaping the Mobile Future
Bridging Strategy and Innovation: Pioneering Marketing Development in a Rapidly Evolving Landscape
The Power of Photography in Travel Marketing: Selling Stories Through the Lens
Cybersecurity Digest
Virtuous Secures $100M Funding Round Led by Susquehanna Growth Equity (SGE)
Gartner Survey: Only 52% of Senior Marketing Leaders Can Prove Marketing’s Value, as Nearly Half of CMOs Face Perception Challenges

Media Partners

PPA Launches PhotoVision, a Streaming Hub for the Global Photography Community
MPB’s Marketplace Model and the Case for a Physical Touch
The Frugal Photographer’s Manifesto
The Weight of Canon’s R-Series: From Featherlight APS-C to Full-Frame Heavyweights
Why I Don’t Always Correct Lens Distortion
When Military Eyes Meet the Photographer’s Imagination
Canon EOS Mirrorless Shutters Explained: R100, R50, R7, R8, and R5
Dear Canon, Please Give Us a 200mm f/2.8 Prime
Canon R5 vs Canon R100: Can You Really See the Difference?
Street Photography by the Sea with a 100mm Lens

Copyright © 2022 TravelMktg.com

Market Analysis & Market Research